Probably one of the biggest feature missing from Final cut, the ability to export your own created LUTsīiggest advantage! No more round tripping:
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It's subtle but, but so nice without any noticeable artifacting.Īnd if you invert the strength you get built in skin softening - bonus feature! I love that it brings these features to Final Cut, Mask tracking. I know that this feature is very useful, but it always seems to be off when I have tried to use it, I know my exposure is correct, and the white balance is correct in camera, I use a colour and light meter but when I use this tool it just produces weird results. Though I wish there was a way to keep it active to make adjustments, and that it retained it's shape when you turn it off an on again, with a reset option. Isolate feature! Oomph! Yes please! Like com'on how awesome is that! With the average of the colours! HOW AWESOME IS THAT! No more stupid masks and crops. Check the skin, exposure, Image analysis tools:įalse Color! Love it! Visually see if the skin tones are exposed properly! If you know the color gammut you are using, it's a few clicks and this is even before any creative fun grading we can do. I love how the roll off from the bright to the dark is so pleasant, and doesn't crush the contrast and make the image look harsh. I love love love that I get to work in ACES Color management in FCPx, and color finale makes it easy if you are a Canon and Sony owner. If your footage is exposure properly and your white balance in camera is close, this gets Log footage looking great fast! ACES: White balance is as fast, with simple of Auto, we are 95% of the way there with 2 clicks.
This one feature does a basic grade based on the typical characteristics of a log file. ColorFinale makes correcting this easy with “Assume Log” - And were done, thanks end of tutorial. We all know C-Log looks flat and washed out. Here are my Favourite things about Color Finale. What I like about Color Finale, especially 2, is that the tools are just like industry standard tools, and if you have used davinci or colorista you'll feel very comfortable with it. The gold standard for Independent color grading.Īnd FCPX and Color Finale 2 both use Apple’s color management natively, eliminating any issues. But it still lacks to industry standard features found in DaVinci resolve. Just to be clear, these are my thoughts on the plugin and how I use it in final cut.Īll you have to do is Like and comment on the video and I'll do a random draw in 2 weeks! Like… and comment! Good luck!Īpple has improved it's color management over the years adding better controls that are more in line with industry standards.
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BUT I would do a review video if I could give away a few copies to you guys! They were nice enough to offer 3 free copies of plugin! I said I already bought the plugin and have been using it since Version 1. But when you do find something that makes the creative process easier you lean into it!įull disclosure, Color Finale reached out to see if I'd be interested in doing a review for their Final cut plugin for a copy of it. But you have to try different things to see what fits best. It’s the reason I choose a camera system over another. I am like you, I want to get the best image as easily as possible.
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I've shown you how to correct C-Log without any plugins in these videos, but today I will show you what plugin I do you for color correct C-Log Footage.
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